Category Archives: Film

From Pop Art to Community Arts

It has been an absolute joy to work with Peter Young on a film ‘From Pop Art to Community Arts: Hackney in the 1970s-80s’ commissioned for A British Museum Partnership exhibition ‘Warhol to Walker: American prints from pop art to today’.

This special exhibition explores the influence print movements have had on Hackney. Starting with the explosion of pop art in the 1960s, the exhibition displays works on loan from the British Museum by celebrated artists including Andy Warhol, Robert Rauschenberg and Kara Walker alongside Hackney artists.

The film is displayed at the Hackney Museum from 11 July till 16 September 2017. Once the exhibition is over, the film will be available online. Watch this space!

I can’t thank enough our interviewees, the most wonderful Hackney activists, artists and researchers – Jess Baines, Neil Martinson, Alan May, Ingrid Pollard, Rene Rice, Red Saunders and Rebecca Wilson.

© Asya Gefter

Acacias Bloom

Last year I have been awarded an Asylum Arts Grant to collaborate with a Ukrainian musician Olesya Zdorovetska to research Debora Vogel, an overlooked Polish Yiddish writer of poetry, prose, literary and art criticism from the 1930s avant-garde Lviv.

And so in July 2016, supported by the Asylum Arts (US) and a-n Travel Bursary  (UK) off we went on our audio-visual journey to Galicia of Debora Vogel. The time has flown by fast – it has been an enriching and wonderful experience that we hope to build upon by making a film next year.

In the meantime, I will be sharing the various steps of our research process in the A-n blog and on my vimeo channel.

Acacias Bloom collage1 Acacias Bloom collage2 Acacias Bloom collage3 Acacias Bloom collage4

‘Seed to Harvest’ Sukkot performance

Thanks to the continuing support of the Charles and Lynn Schusterman Family Foundation, I have been able to organise a Sukkot meal and live performance event in Dublin on October 16, 2016. The Quartet (Olesya Zdorovetska – voice, Nick Roth – saxophones, Olie Brice – double bass, Matthew Jacobson – percussion) performed Seeds II, a study of plant genetics composed by Nick Roth, followed by a free improvisation. The visuals for the performance were created from the material I collected in Lviv and the Carpathians during my recent research trip funded by the Asylum Arts (US) and a-n Travel Bursary (UK).

The Festival of Sukkot begins on Tishri 15, the fifth day after Yom Kippur. It is quite a drastic transition, from one of the most solemn holidays of the year to one of the most joyous. Sukkot is so unreservedly joyful that it is commonly referred to as Z’man Simchateinu (זְמַן שִׂמְחָתֵנוּ), the Season of Rejoicing.

The origins of Sukkot are both historical and agricultural. Historically, Sukkot commemorates the forty-year period during which the children of Israel were wandering in the desert, living in temporary shelters. Agriculturally, Sukkot celebrates the gathering of the harvest.

Sukkot foods are all about the autumn harvest – apples, pears, sweet potatoes, carrots, and other root vegetables that are readily available this time of year. On each day of the holiday it is mandatory to perform a waving ceremony with the Four Species: fronds from the myrtle, date, willow trees, along with a yellow etrog (the citron fruit).

Happiness doubles when you share it. Joined by people from Australia, England, Finland, Iran, Ireland, Poland, Russia, and Ukraine we had a memorable evening full of music, visuals, food, conversations and singing.

sukkot-collage2 sukkot-collage3
sukkot-collage1

In the footsteps of Hanukkah

In the footsteps of Hanukkah

Having grown up in Moscow in an assimilated environment I experienced mixed feelings about the traditions of my grandparents. I moved away from my family at the age of 21 in the attempt to make a new home, first in the Netherlands and then in the UK. It took me many years to discover the medium to express my thoughts and feelings.

My cousin Anya has not moved away to make a new home in a different country. She still lives in Moscow researching Music of Yiddishkayt and performing in Klezmer ensembles. I grew up hearing her play and sing in Russian, later in Yiddish. The sound of her voice is one the dearest memories I have from my ‘Russian Jewish’ childhood. Unprocessed personal and historical traumas in our families and in our country of origin prompt us to search for self-identification through creative narrative of people and places, music and art.

This project’s idea to break down the Ashkenazi Jewish music structure, to look for the beginning is something that might help me to engage with family history and identity, reconnect with my roots and find music within me. By interweaving musical and visual language, we hope to create a dialogue between us and the audience, past and present. And last but not least, we are looking forward to the opportunity to share our journeys with our families and friends, in our home town of Moscow.

Thanks a million to everyone involved and especially to The Charles and Lynn Schusterman Family Foundation and ROI Community  for their generous support of this project.

And so it comes – our first concert together on December 23, Moscow!

UPDATE December 26: watch this space for the video recordings (two available already, more to come soon)! And here are a few pictures from the concert:

According to this article, some Sephardic Jews with roots in Aleppo, Syria, have a special Hanukkah custom. On each of the eight nights of the holiday, they light an extra flame. This custom has been passed down in families whose ancestors were forced to flee Spain as refugees, when the Alhambra Decree of 1492 set in motion their expulsion for no other reason than their religious identity. Lighting the extra flame has become a hallmark of these Jews; it represents their gratitude for the safety and tolerance they encountered in their adopted homeland: Syria.

Today, Syrian Jewish communities — a blend of these Spanish refugees and others who had been living in that region since ancient times — have been resettled completely because of oppression and migration. Syria, as we know, is now also the source of a horrifying civil war and refugee crisis. Despite the adversity that Jews have faced in Syria, the lighting of an additional flame each night of Hanukkah can still serve to sensitize us to the plight of Syrian refugees, because we, too, were refugees who benefited from the compassion, acceptance and tolerance of strangers in that very land.

And so an extra flame in the video is my response to what happened in the past and is happening now.

Filmmaking and Hackney

Open Cinema festival

I am contributing  a video piece for the 24h Hackney film as well as the Hackney archive showreel to the Open Cinema film festival on Saturday November 21 at Open School East, 43 De Beauvoir Rd, N1 5SQ. Do come along if free and up for some quirky, serious, funny, contemporary and historical footage about Hackney.
Read more here
Update (December 2): You are welcome to watch some of the footage on my ‘Film’ page. More films will be available soon on the Open School East website!

One Sunday Over The Lea

In collaboration with Brian Walker and Peter Young, I submitted this short piece to the My London Film competition, held by the East End Film Festival in partnership with Time Out London and YouTube.

Yesterday we got the news that the film made the competition’s official TOP 15 list and will be screened  this Saturday afternoon at 1.30pm as part of a special programme at One Stop Film Shop, being held in partnership with Little White Lies in Old Street Station.

Hope to see you there for screenings of Top 15 short films about London!

Playing In or Out? Museum of Childhood

31 March – 4 November 2012, Playing In or Out? – V&A Museum of Childhood, London

Photographed, filmed and edited by Asya Gefter and Peter Young.
Black and white photographs from the archives of Colin O’Brien, Alec Brooking and John Heywood.
Original soundtrack by Aris Lanaridis.