Category Archives: Music

Lviv-London Double Impact

Join us at Pushkin House, London on November 14 for a special evening of imagery, history, words and music with London resident Asya Gefter, who has just launched the ‘Fragments of Memory’ project in Lviv, and Lviv resident Mark Tokar, double bass player and a key figure in the Ukrainian free jazz scene.

Over the past two years, Asya Gefter and Olesya Zdorovetska had been on a journey to discover Debora Vogel, an overlooked intellectual, writer, art critic, the Gertrude Stein of inter-war Lviv. They walked the places Vogel inhabited, exhibited and wrote about. They met people who survived the war and went on living, or were born long after and reconnected with the vanished world. They encountered the story of the former Lviv Jewish museum, a derelict building presently at risk. The work that resulted from this voyage is concerned with the presence and absence of people, with a discontinuous perception of poetic and physical spaces, with personal stories pointing to Lemberg/Lwow/Lviv for present and future generations.

Vogel’s experimental poetry, all written in the 1920s-30s, was, in the spirit of early 20th century European literature, radically avant-garde and attuned to all the modernist minimalisms. Being skilled in Hebrew, Yiddish and Polish, she published essays covering Lviv’s intellectual life and urban landscape, the role of women in society and art. Yet, her name has always been connected with the Polish prose stylist Bruno Schulz. Vogel’s own work received little attention during her life and after her death in Lviv ghetto in 1942.

‘Fragments of Memory’ exhibition at the Lviv Museum of Ideas, September 2017 (photo by Asya Gefter)

The multimedia exhibition was launched at the Lviv Museum of Ideas during the International Book Forum in September 2017. Project research and Lviv exhibition were supported by A-n Travel bursary (UK), Asylum Arts ‘Small Grant’ (US), Kickstarter Crowdfunding campaign, Lviv Book Forum and Lviv Museum of Ideas. The plan is to tour the exhibition and develop a website with project material in English, Polish, Russian, Ukrainian, and Yiddish.

Lviv is not only about the past but also about the present. Mark Tokar will play and talk about contemporary music scene in Ukraine, his collaborations in Ukraine and internationally, including the multi-genre projects (visualisations, literature, performance) with Yuri Andrukhovych, one of the leading Ukrainian authors writing today. Among these projects: Endless Journey or Aeneid (multimedia collage based on Yuri Andrukhovych-Ivan Kotliarevskiy with the elements of lecture, concert and banquet). Albert, or the Highest Form of Execution (Albert was created on the base of eponymous story written by Yuri Andrukhovych. In the center of action there is the story of ingenious cheater Albert Vyrozemskiy who agrees to sell his soul to the devil to avoid death penalty. However, the agreement signed with blood did not work. One autumn day in 1641, he was publicly burned in the middle of the Rynok Square in Lviv.

‘Seed to Harvest’ Sukkot performance

Thanks to the continuing support of the Charles and Lynn Schusterman Family Foundation, I have been able to organise a Sukkot meal and live performance event in Dublin on October 16, 2016. The Quartet (Olesya Zdorovetska – voice, Nick Roth – saxophones, Olie Brice – double bass, Matthew Jacobson – percussion) performed Seeds II, a study of plant genetics composed by Nick Roth, followed by a free improvisation. The visuals for the performance were created from the material I collected in Lviv and the Carpathians during my recent research trip funded by the Asylum Arts (US) and a-n Travel Bursary (UK).

The Festival of Sukkot begins on Tishri 15, the fifth day after Yom Kippur. It is quite a drastic transition, from one of the most solemn holidays of the year to one of the most joyous. Sukkot is so unreservedly joyful that it is commonly referred to as Z’man Simchateinu (זְמַן שִׂמְחָתֵנוּ), the Season of Rejoicing.

The origins of Sukkot are both historical and agricultural. Historically, Sukkot commemorates the forty-year period during which the children of Israel were wandering in the desert, living in temporary shelters. Agriculturally, Sukkot celebrates the gathering of the harvest.

Sukkot foods are all about the autumn harvest – apples, pears, sweet potatoes, carrots, and other root vegetables that are readily available this time of year. On each day of the holiday it is mandatory to perform a waving ceremony with the Four Species: fronds from the myrtle, date, willow trees, along with a yellow etrog (the citron fruit).

Happiness doubles when you share it. Joined by people from Australia, England, Finland, Iran, Ireland, Poland, Russia, and Ukraine we had a memorable evening full of music, visuals, food, conversations and singing.

sukkot-collage2 sukkot-collage3
sukkot-collage1

In the footsteps of Hanukkah

In the footsteps of Hanukkah

Having grown up in Moscow in an assimilated environment I experienced mixed feelings about the traditions of my grandparents. I moved away from my family at the age of 21 in the attempt to make a new home, first in the Netherlands and then in the UK. It took me many years to discover the medium to express my thoughts and feelings.

My cousin Anya has not moved away to make a new home in a different country. She still lives in Moscow researching Music of Yiddishkayt and performing in Klezmer ensembles. I grew up hearing her play and sing in Russian, later in Yiddish. The sound of her voice is one the dearest memories I have from my ‘Russian Jewish’ childhood. Unprocessed personal and historical traumas in our families and in our country of origin prompt us to search for self-identification through creative narrative of people and places, music and art.

This project’s idea to break down the Ashkenazi Jewish music structure, to look for the beginning is something that might help me to engage with family history and identity, reconnect with my roots and find music within me. By interweaving musical and visual language, we hope to create a dialogue between us and the audience, past and present. And last but not least, we are looking forward to the opportunity to share our journeys with our families and friends, in our home town of Moscow.

Thanks a million to everyone involved and especially to The Charles and Lynn Schusterman Family Foundation and ROI Community  for their generous support of this project.

And so it comes – our first concert together on December 23, Moscow!

UPDATE December 26: watch this space for the video recordings (two available already, more to come soon)! And here are a few pictures from the concert:

According to this article, some Sephardic Jews with roots in Aleppo, Syria, have a special Hanukkah custom. On each of the eight nights of the holiday, they light an extra flame. This custom has been passed down in families whose ancestors were forced to flee Spain as refugees, when the Alhambra Decree of 1492 set in motion their expulsion for no other reason than their religious identity. Lighting the extra flame has become a hallmark of these Jews; it represents their gratitude for the safety and tolerance they encountered in their adopted homeland: Syria.

Today, Syrian Jewish communities — a blend of these Spanish refugees and others who had been living in that region since ancient times — have been resettled completely because of oppression and migration. Syria, as we know, is now also the source of a horrifying civil war and refugee crisis. Despite the adversity that Jews have faced in Syria, the lighting of an additional flame each night of Hanukkah can still serve to sensitize us to the plight of Syrian refugees, because we, too, were refugees who benefited from the compassion, acceptance and tolerance of strangers in that very land.

And so an extra flame in the video is my response to what happened in the past and is happening now.

EcoTectura International Festival

Plattformer – interactive sound and play installation, using table tennis, contact mics, found sounds and amplified audio circuits in Art-Residency Guslitsa, Russia at the EcoTectura International Festival.


© Asya Gefter