40 years ago today – Red Saunders recollects the RAR Victoria Park Carnival:
On Sunday 30 April 1978, 80,0000 people gathered in Trafalgar Square, and danced their way through the East End to Victoria Park in Hackney for the first big Rock Against Racism Carnival Against the Nazis. RAR had emerged in reaction to an alarming rise in racist attacks on the streets, and support for the neo-Nazi National Front at the ballot box. Mainstays of the UK pop scene such as Eric Clapton and David Bowie – white musicians capitalising on black music – made statements that further inflamed racial tension. A letter to the music press, written by Red Saunders and signed by a group of fans, voicing their horror at such hypocrisy, quickly gained widespread support. RAR was part of a broader anti-racism movement in the late 1970s, but it has become a symbol of the role that people-led movements and popular culture can play in shaping and influencing attitudes.
From Pop Art to Community Arts in Hackney and beyond
If you did not have a chance to attend last week screening at the 2018 East End Film Festival, the film is available to watch online.
From memories of meeting Andy Warhol to the visuals of Chats Palace and Lenthall Road Printshops, See Red Women’s Workshop and Rock Against Racism movement, the film explores the influence of screen-printing on the Community Arts Movement in Hackney and beyond.
This special exhibition explores the influence print movements have had on Hackney. Starting with the explosion of pop art in the 1960s, the exhibition displays works on loan from the British Museum by celebrated artists including Andy Warhol, Robert Rauschenberg and Kara Walker alongside Hackney artists.
The film is displayed at the Hackney Museum from 11 July till 16 September 2017. Once the exhibition is over, the film will be available online. Watch this space!
I can’t thank enough our interviewees, the most wonderful Hackney activists, artists and researchers – Jess Baines, Neil Martinson, Alan May, Ingrid Pollard, Rene Rice, Red Saunders and Rebecca Wilson.
I am contributing a video piece for the 24h Hackney film as well as the Hackney archive showreel to the Open Cinema film festival on Saturday November 21 at Open School East, 43 De Beauvoir Rd, N1 5SQ. Do come along if free and up for some quirky, serious, funny, contemporary and historical footage about Hackney.
Bishopsgate Institute asked me to join Diane Burstein, London guide and author of ‘London Then and Now’, on today’s Sunday morning stroll around the East End markets – Petticoat Lane, Spitalfields, Brick Lane, Cheshire Street, Columbia Road. Mind-blowing how the area and the markets have changed since I moved to London 12 years ago. But then again, many people keep reminding me how different it was decades ago. London is always on the move..
During June and July 2015 Alexandra Palace commissioned me to run a photography course ‘Give Your Future a Shot” for young people 16-25 as a part of their ‘War on the Home Front’ exhibition. This project, inspired by the use of Alexandra Palace as a refugee and internment camp during the First World War, was aimed at teaching participants how to use photography to give themselves a voice, uniting and intertwining this interesting period of history with the lives, experiences, and stories of young people today. Read more here.
The London Radical Bookfair 2015 in their second year running championed radical publishing – from its independent bookshops and publishers to its DIY-ers; the small press, self-publishers, and zinesters.
The LRB took over Bishopsgate Institute last year as the first event of its kind to bring together UK’s radical publishing and self-publishing communities. It was a joy and a privilege to be asked by Nik Górecki from Housmans Bookshop to document the fair once again, this time in a renovated Victorian warehouse at 47/49 Tanner Street near Tower Bridge.
Alan Gilbey, curator/guide, BAFTA Award-winning writer and East End guru: ‘Tales From The Ditch’ is an anthology of tales less told from London’s ‘little bit of rough’, as narrated by an eclectic selection of local authors, historians, storytellers and musicians, who were hidden in all the nooks and crannies of the basement of Shoreditch Town Hall. Each of these performances is a miniature, lasting five minutes, before bells are rung and you have to move on to find the next one. It’s a bit like speed dating, except you don’t have an awkward bit at the end where London history tries to get your phone number.
There was a pub and a bit of a sing-song. An opium den clouded with myth. A musical melodrama about ‘A Child Of The Jago.’ A clinic where you could feel the health giving powers of electricity and sunlight.
Who created the Ditch? Perhaps Shoreditch Council just sheered the tops off a lot of Victorian houses and dumped an Edwardian Town Hall on top? With its winding corridors and sudden dead ends, secret staircases and non-sequiter windows, it is the perfect geophysical venue for a myth defying night of Eastside stories.
‘It’s the rich wot get the pleasure and the poor wot get the rich. All of us are lying in the gutter, but some of us are dreaming of The Ditch.’
Rowan Arts have asked me to photograph the annual May Day gathering on Camberwell Green for their Clerkenwell History project. The Muscovite in me had mixed feelings on the day when a display of Soviet-era-like ceremony took place on Red Square, for the first time since 1991. But Britain is Britain, and here are the many beautiful faces of Londoners.
Although Alan Gilbey currently doesn’t run regular walks, he does create very special events; strolls through the side streets of East London to secret venues where a dozen of local writers and performers await to tell you tales less told.
These ‘Speed History’ events happen several times a year. This year’s March event took place at the 19th century Bishopsgate Library and i was invited to follow Alan and the gang.